Online solo strings intensive (osSI)

Audition Prep Intensive for High School & College Seniors

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Two private lessons with your assigned faculty member

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Three mock auditions

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Panel discussions with conservatory teachers

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Sessions with admissions counselors

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Written feedback from at least 6 teachers

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Encouraging community

This audition season is unlike all previous audition years.
You’ll need all the help you can get.

Looking to nail your auditions this year? Whether the schools you’re applying to ask for recordings, an interview, or a live audition via Zoom, we’ll help you be empowered to approach this season with all the tools you need.

Auditions are hard enough as it is, and with the global pandemic, the stress is even harder to manage.

I get it. You probably planned for traveling and live auditions. You probably were planning to get trial lessons with teachers while visiting schools and cities. And you probably banked on the time in between your prescreenings and the live audition to prepare your materials.

And suddenly, everything’s different.

Different schools are doing different things and it’s hard to manage it all. Some schools require final videos by early January and no prescreenings, some schools are having live interviews but recorded auditions, and some schools are having live auditions via Zoom. Some have a combination of those possibilities!

How do you manage that? How do you get in touch with teachers, figure out if you’re a good fit, check out the campus, and still prepare to a high level?

It’s possible.

Although this program can’t help you with everything, we can certainly help you alleviate stress through three key aspects:

1. Giving you access to teachers’ feedback and time. Because you can’t travel to campus and meet teachers, this is the perfect opportunity to connect online. You’ll be able to play mock auditions for at least 6 teachers (up to 8 for violinists), gain their feedback, and take two lessons with your assigned faculty member. All faculty members have told me they are excited to be able to work with potential students for two lessons as opposed to the typical single trial lesson.

2. Learning what to actually stress about. We’re all about productivity and being smart about the use of our time and emotional energy. To that end, we’re bringing in admissions counselors at schools, and sitting down with our incredible faculty to have discussions on what actually matters. What should you focus on? What do teachers look for in students? How should you approach an audition mentally?

3. Getting that performance experience. There’s truly nothing like actually performing. And recording is certainly not the same thing. Through the program, you’ll be able to take at least 3 mock auditions in front of high level faculty, so I promise you WILL get nervous! We will also talk about how to prepare for recording so you can get the most out of your sessions. This is so crucial for your audition season!

Join us for a fruitful week of learning and preparation.

Guest artists will be hosting mock auditions, give masterclasses, and sit on a discussion panel. See schedule for more details.

Applications open October 15, 2020, and close December 1, 2020.

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Mock Auditions

Whether your schools are doing online live auditions or you’ll have to submit recordings, feedback is extremely important. You’ll be able to get the nerves, performance experience, and written comments from all faculty members.

More Info

You’ll take at least 3 mock auditions and they will simulate a real audition. You’ll play for a panel, and receive written comments back. Violinists will play for at least 8 faculty members, violists and cellists will play for at least 6 faculty members.

Incredible Faculty

Our faculty comes from almost every major conservatory in the US. If you are wanting to get in front of any faculty member, they’ll hear you in an audition. Your assigned faculty member will get to dive deep in your two lessons.

More Info

Along with our 12 faculty members, there will be 12 guest artists and 6 seminar speakers. Full list of all faculty, guests, and speakers are available below.

Extra Seminars

Ever wondered what teachers look for? How admissions looks through your file? What to do to alleviate nerves? We’ll have at least one session per day on important topics with knowledgable people. Go into audition season prepared.

More Info

Learning about how to approach auditions and what teachers & schools look for is almost as important as the lessons themselves! We’ll be having a daily session on topics from performance anxiety to essay writing to faculty perspectives and practice techniques.

The details

Each day will have its own focus: mock auditions, lessons, peer discussions, or faculty discussions. Each day will also include a morning session to get you thinking before your practice time. The end of the day will close with a special masterclass with one of our guest artists. Participants will be selected by faculty to play and anyone can watch.

These sessions will include Scheduling Your Practice, Performance Anxiety, Recording Tips & Tricks, and more to ensure you are ready to go for that live audition.

We’ll also have daily masterclasses with our guest artists – you are welcome to attend any of them, and students will be selected to play by faculty recommendation and based on audition materials.

We’re bringing in so many teachers from schools across the country, and you’ll definitely walk away with a ton of feedback and a plan of attack for the upcoming month.

Practice time will not be mandated, but as audition season fast approaches, you probably won’t need the forced time. However, we will be hosting practice Zooms for anyone that does want to stay on track with their practicing.

Additionally, we do NOT want this program to be competitive, catty, judgmental, or unsupportive. We’ll be doing peer mock auditions as a way for you to get over your fear of performing for others and receive constructive criticism. Faculty will be supervising and proctoring the audition.

Finally, we want you to get to know each other. During audition season, you may virtually run into some people, and it’s always encouraging to have friends alongside you. We’ll be hosting a few evening events for fun as well as a lunchtime meal where we can all play games, take a break from practicing, and enjoy a festival experience.

Why attend ossi?

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Intensive and personal attention from faculty

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Hear directly from admissions counselors

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Walk into audition season confident

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Be prepared for how online auditions will feel and work

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Use your winter break wisely

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Written feedback from teachers at major conservatories & universities

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Develop a plan for the next few weeks

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Meet and get to know your peers during mealtimes

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Learn about recording techniques, performance anxiety, and more

Get direct feedback from top teachers and
walk into audition season with eyes wide open.

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Violin

Ani Kavafian, Yale University
Full Biography

Violinist Ani Kavafian enjoys a prolific career as a soloist, recitalist, and chamber musician. She has performed with virtually all of America’s leading orchestras in major venues across the country, has premiered and recorded a number of works written for her, and has been featured on many network and PBS television music specials. Kavafian is a member of the Trio da Salo and the Kavafian-Schub-Shifrin Trio and tours internationally as an artist-member of the Chamber Music Society of Lincoln Center. She also appears frequently in performance with her sister, violinist and violist Ida Kavafian.

At Yale, Kavafian teaches a studio of graduate-level violin students, coaches chamber ensembles, and frequently performs on Yale’s Faculty Artist Series and Yale in New York series. She regularly teaches and performs at several music festivals, including the Norfolk Chamber Music Festival/Yale Summer School of Music, the Heifetz International Institute, Sarasota Music Festival, and the Meadowmount School of Music. 
Born in Istanbul, Turkey, of Armenian heritage, Kavafian began piano lessons at age 3. At age 9, in the United States, she began studying violin with Ara Zerounian and eventually with Mischa Mischakoff. She went on to study violin at the Juilliard School with Ivan Galamian, eventually earning a master of music degree with highest honors. She plays the 1736 Muir McKenzie Stradivarius violin.
Soovin Kim, New England Conservatory
Full Biography
Korean-American violinist Soovin Kim is an exciting player who has built on the early successes of his prize-winning years to emerge as a mature and communicative artist. After winning first prize at the Niccolò Paganini International Competition, Mr. Kim was recipient of the prestigious Borletti-Buitoni Trust Award, an Avery Fisher Career Grant, and the Henryk Szeryng Foundation Career Award. Today he enjoys a broad musical career, regularly performing repertoire such as Bach sonatas and Paganini caprices for solo violin, sonatas for violin and piano by Beethoven, Brahms, and Ives, string quartets, Mozart and Haydn concertos and symphonies as a conductor, and new world-premiere works almost every season. 
In recent seasons he has been acclaimed for his “superb…impassioned” (Berkshire Review) performance of Alban Berg’s Chamber Concerto at the Bard Festival with the American Symphony Orchestra and a “sassy, throaty” (Philadelphia Inquirer) rendition of Kurt Weill’s concerto with the Curtis Chamber Orchestra. Other unusual concerto collaborations included Mendelssohn’s Double Concerto with conductor Maestro Myung-Whun Chung, the same Mendelssohn concerto with the Dallas Symphony and music director Jaap van Zweden, and Beethoven’s Triple Concerto in Carnegie Hall. He has performed in past seasons with the Philadelphia Orchestra, San Francisco Symphony, Stuttgart Radio Symphony, Salzburg Mozarteum Orchestra, and the Seoul Philharmonic and Accademia di Santa Cecilia Orchestra with Maestro Chung. 
For 20 years Soovin Kim was the 1st violinist of the Johannes String Quartet. Among their special projects was a two-season tour with the famed and now-retired Guarneri String Quartet in a program including world-premieres of works by Esa-Pekka Salonen, Derek Bermel, and William Bolcom. Mr. Kim maintains a close relationship with the famed Marlboro Festival where he regularly spends his summers. He is well-known in Korea as a member of MIK, his ground-breaking piano quartet ensemble. He recently launched the exciting Chien-Kim-Watkins Trio with his wife, pianist Gloria Chien, and cellist Paul Watkins of the Emerson Quartet. 
Soovin Kim’s latest solo CD, Gypsy, was his third solo collaboration between American label Azica Records and Korea-based Stomp/EMI. They previously released a French album of Fauré and Chausson with pianist Jeremy Denk and the Jupiter Quartet, and Paganini’s demanding 24 Caprices for solo violin which was named Classic FM magazine’s Instrumental Disc of the Month (“he emerges thrillingly triumphant…a thrilling debut disc.”). He made his first solo recording with Jeremy Denk for Koch-Discover in duo works by Schubert, Bartók, and Strauss. Mr. Kim also has six commercial chamber music recordings including an acclaimed live performance from the Marlboro Festival of Beethoven’s Archduke trio with pianist Mitsuko Uchida and the late cellist David Soyer. In 2020 his recording of Bach’s monumental solo sonatas and partitas will be released. 
Soovin Kim and his wife are the newly appointed co-artistic directors of Chamber Music Northwest in Portland, Oregon, one of the pre-eminent chamber music organizations in the U.S.  
Soovin Kim also founded the Lake Champlain Chamber Music Festival in Burlington, Vermont in 2009. With its focused programming and exceptional artists the festival is “increasing its stature as one of this country’s summer chamber music meccas (Rutland Herald).” Mr. Kim and the Lake Champlain festival helped to create the ONE Strings program in Burlington which makes violin lessons part of the regular curriculum for every 3rd, 4th, and 5th grader. In May 2015 he received an honorary doctorate from the University of Vermont in recognition of his contributions to the community.
Soovin Kim dedicates much of his time to his passion for teaching. He previously taught at Stony Brook University and the Peabody Institute, and now he teaches exclusively at the New England Conservatory in Boston. Mr. Kim studied at the Cleveland Institute of Music with David Cerone and Donald Weilerstein, and at the Curtis Institute of Music with Victor Danchenko and Jaime Laredo. 
Connie Heard, Vanderbilt University
Full Biography

Cornelia Heard currently holds the Valere Blair Potter Chair at Blair School of Music, Vanderbilt University, where she is professor of violin and chair of the string department. She has served on the artist faculty of the Aspen Music Festival and School since 2005 and is co-director of the chamber music program. As a member of the Blair String Quartet, she has toured extensively throughout the United States, presented complete Beethoven and Bartok cycles and recorded for the Naxos, Innova, Warner Reprise, New World, Blue Griffin and Pantheon labels. She has recently participated in festivals in Portillo and Santiago, Chile, Guangzhou, China and Loja, Ecuador. Ms. Heard has performed on concert series at the Library of Congress and at New York’s 92nd Street Y, as well as at Lincoln Center, the Kennedy Center, Merkin Hall and Weill Hall at Carnegie Hall. She served on the faculty of the Sewanee Music Festival from 1985 to 1999 and the Killington Festival from 2002-2004. Other summer festival appearances have included Chamber Music Northwest, Colorado, Highlands-Cashiers, Kapalua, Maverick, Music Mountain, Roycroft, Sedona and Skaneateles Festivals, as well as performances in Italy, Ecuador and Iceland. 

Ms. Heard has given master classes throughout the United States and her students have won and been prizewinners in regional, national and international competitions.
Ms. Heard earned a Master of Music degree from the Juilliard School as well as Bachelor’s degrees from Juilliard and Sarah Lawrence College. She studied violin with Dorothy DeLay and chamber music with Robert Mann, Felix Galimir, Earl Carlyss and Samuel Rhodes, as well as Ruth Laredo and Jan DeGaetani.

 

Paul Kantor, Rice University
Full Biography

Paul Kantor is currently the Sally Shepherd Perkins Professor of Violin at the Shepherd School of Music at Rice University having previously served as the Eleanor H. Biggs Distinguished Professor of Violin at the Cleveland Institute of Music. He received his Bachelor of Music and Master of Music degrees from the Juilliard studying violin with Dorothy DeLay and chamber music with Robert Mann. For thirteen years he served as Chair of the String Department at the University of Michigan and has taught at the Juilliard School, the New England Conservatory, and Yale University. He continues as Artist in Residence at the Glenn Gould School of Music/ Royal Conservatory of Music since his appointment in 2008. Along with his son, violinist Timothy Kantor, he founded and directs the Gabriel Del Orbe Violin Program in the Dominican Republic.

 
Additionally, he has presented master classes at the Starling-Delay Symposium, Indiana University, the Eastman School, the University of Southern California and the New World Symphony, among others. His students consistently win major awards at important violin competitions including the Indianapolis, Montreal, Stulberg, Buenos Aires, Klein, and Fischoff.
 
For the past 37 years, he has been on the Artist/Faculty of the Aspen Music Festival & School where he has been concertmaster of both the Festival Orchestra and the Chamber Symphony. He has performed as soloist with numerous symphony orchestras as well as serving as concertmaster of the New Haven Symphony, the Lausanne Chamber Orchestra and the Great Lakes Festival Orchestra. Kantor was a member of The New York and Lenox string quartets, the Berkshire Chamber Players and the National Musical Arts Chamber Ensemble in Washington, D.C.
 
Mr. Kantor has performed the world premieres of Dan Welcher’s Violin Concerto, (subsequently recorded with Larry Rachleff and Symphony II) as well as John Corigliano’s “Red Violin Caprices”. His recordings can be found on the labels of Equilibrium, CRI, Delos and Mark Records. In 2014 he was honored with the Artist Teacher Award from the American String Teachers Association.
Mark Kaplan, Indiana University Jacobs School of Music
Full Biography

One of the leading violinists of his generation, Mark Kaplan’s consummate artistry has resulted in solo engagements with nearly every major North American orchestra, and with  many of the world’s foremost conductors, among them Ormandy, Tennstedt, Maazel, Dutoit, Rattle, Zinman, Masur, etc. 

 

Kaplan has also maintained a flourishing international career for over four decades, with highly acclaimed concerto and recital appearances in all the musical centers of Europe – London, Berlin, Paris, Vienna, Prague, Zurich, Amsterdam, Copenhagen and Milan – as well as in Australia, New Zealand, Malaysia, Hong Kong and Singapore. 

Also devoted to chamber music. Mr. Kaplan appears with pianist Yael Weiss and cellist Peter Stumpf as the Weiss-Kaplan-Stumpf Trio, with recordings and concerts world-wide.

Mr. Kaplan has a wide range of repertoire available on CD.  His second recording of Bach’s solo violin works was issued in 2016 by Bridge Records, and due for release this season is a Weiss-Kaplan-Stumpf Trio set of Beethoven’s complete Trios.  Other recordings include concerti of Berg Stravinsky,  Lalo, Bartók, Paganini, Wieniawski and Viotti, Sonatas of Schumann and Schubert, Spanish Dances of Sarasate, trios of Brahms, Debussy, Dvorak, Fauré, Mendelssohn, Rachmaninov, Saint-Saens, Schubert, Smetana and Tchaikowsky.

Since 2005, Mark Kaplan has been Professor of Violin at Indiana University’s Jacobs School of Music, and prior to that he served as Professor with Distinction at UCLA.  He is a graduate of the Juilliard School, where he was a student of Dorothy DeLay.  Kaplan plays a violin made by Antonio Stradivari in 1685, known as the Marquis.                             

To Be Announced
Full Biography

Viola

 

James Dunham, Rice University
Full Biography
Violist James Dunhams’s rich background includes having been founding member of the Naumburg Award winning Sequoia String Quartet and subsequently violist of the Grammy Award winning Cleveland Quartet. An impassioned advocate of new music, he has premiered and recorded many works written for him: his recording of Judith Shatin’s “Glyph” for solo viola and piano quintet was praised by Fanfare Magazine as “reverent…beautifully, skillfully written” and “the playing here by soloist James Dunham is stunning: resonant and vital.” American composer Libby Larsen has written two works for Mr. Dunham and his colleagues: the Viola Sonata (2001) and the song cycle “Sifting Through the Ruins” (2005) for mezzo-soprano, viola and piano. Both appear on the CD “Circle of Friends” by Libby Larsen. In addition, he was a co-commissioner of Larsen’s “Ferlinghetti” (2014) for clarinet, viola and piano.
A frequent guest with ensembles such as the American, Jupiter, and Takács Quartets, Mr. Dunham is violist of the Axelrod String Quartet, in residence at the Smithsonian Institute in Washington, D.C. where the group performs on their collection of Niccolò Amati and Stradivari instruments.
Highlights of recent seasons include performing the Shostakovich Viola Sonata with pianist Vladimir Feltsman, Mozart’s Sinfonia Concertante with Queen Elisabeth Competition lauriate Will Hagen, and a three-week tour of their home country with the New Zealand String Quartet. In May 2017 he was Guest Artist and recitalist at the Hochschule für Musik und Theater “Felix Mendelssohn-Bartholdy” in Leipzig, Germany, followed by multiple performances at the Aspen Music Festival, including quintets with the Takács and American String Quartets. Mr. Dunham is featured regularly in concerts, master classes and competition juries throughout the U.S. and abroad, adjudicating twice for the Osaka International Chamber Music Competition and as a Senior Division juror for the Fischoff Chamber Music Competiton.
Mr. Dunham is Professor of Viola and Chamber Music at Rice University’s Shepherd School of Music where he also co-directs its Master of Music in String Quartet program. Formerly on the faculty of California Institute of the Arts and the Eastman School of Music, he chaired the String Department at the New England Conservatory of Music for six years where he received the Louis & Adrienne Krasner Teaching Excellence Award.
Summer activities include yearly participation in the Aspen, Sarasota and Amelia Island
(FL) Music Festivals as well as frequent appearances at the Texas Music Festival, le Domaine Forget (Quebec), Garth Newel Center, Heifetz International Music Institute and La Jolla Music Society’s SummerFest. In Houston he is heard regularly in concert with the St. Cecilia Chamber Music Society, Chamber Music Houston, Da Camera of Houston, Ars Lyrica Houston, Mercury Chamber Orchestra and the Houston Bach Society.
His recordings can be found on labels including Telarc, Innova, Nonesuch, Delos, Naxos and Crystal.

 

Matthew Lipman, Stonybrook University
Full Biography
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing,” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Lipman has come to be relied on as one of the leading players of his generation, frequently appearing as both a soloist and chamber music performer.
Highlights of recent seasons include appearances with the Minnesota Orchestra, BBC Philharmonic, Academy of St Martin in the Fields and Juilliard Orchestra. Lipman has worked with conductors including Edward Gardner, the late Sir Neville Marriner, Osmo Vänskä, and Nicholas McGegan. His recent solo debuts include appearances at the Aspen Music Festival, Seoul’s Kumho Art Hall, Lincoln Center’s Alice Tully Hall, Chicago’s Orchestra Hall, and the Walt Disney Concert Hall. This season, Lipman makes his debut at Carnegie Hall with the Soloists of the Kronberg Academy, and with Michael Tilson Thomas’s Viola Visions Festival of the New World Symphony in Miami.
Ascent, his 2019 release by Cedille Records, was celebrated by The Strad as a “most impressive” debut album where Lipman is praised for his “authoritative phrasing and attractive sound.” The album marks the first ever recording of the recently discovered work by Shostakovich, Impromptu for viola and piano and of Clarice Assad’s Metamorfose for viola and piano, which was commissioned for the recording. Lipman has also been featured on the recording of Mozart’s Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields conducted by the late Sir Neville Marriner. The album topped the Billboard Classical Charts and has received praise by both the press and public.
Named the 2019 Artist-in-Residence for the American Viola Society, Lipman has additionally been featured on WFMT Chicago’s list “30 Under 30” of the world’s top classical musicians, and is a published contributor to The Strad, Strings and BBC Music magazines. He performs regularly with the Chamber Music Society of Lincoln Center and at music festivals including St. Petersburg’s White Nights, [email protected], Marlboro, Ravinia, Bridgehampton, Seattle, Saratoga, and Kissinger Sommer festivals. His frequent chamber music partners include Martin Helmchen, Tabea Zimmerman, Mitsuko Uchida, Itzhak Perlman, Sir András Schiff, Henry Kramer, and Pinchas Zukerman. Dedicated to expanding the repertoire for the viola, Lipman has also performed the premieres of works by composers such as Helen Grime and David Ludwig.
Lipman is the recipient of a 2015 Avery Fisher Career Grant, a Kovner Fellowship, and the Jack Kent Cooke Award, and is also a major prize winner in the Primrose, Tertis, Washington, Johansen, and Stulberg International Viola Competitions. He studied at The Juilliard School with Heidi Castleman, and was further mentored by Tabea Zimmermann at the Kronberg Academy. A native of Chicago and an alum of The Bowers Program (formerly CMS Two), Lipman is on the faculty of Stony Brook University. He performs on a fine 1700 Matteo Goffriller viola loaned through the generous efforts of the RBP Foundation.
Ettore Causa, Yale University
Full Biography
Awarded both the “P. Schidlof Prize” and the “J. Barbirolli Prize” for “the most beautiful sound” at the prestigious Lionel Tertis International Viola Competition in 2000, Italian-born violist Ettore Causa has been praised for his exceptional artistry, passionate intelligence and complete musicianship. He has made solo and recital appearances in major venues around the world, and has performed at prestigious festivals. A devoted chamber musician, Causa has collaborated extensively with internationally renowned musicians.
At the Yale School of Music, Causa teaches graduate-level viola students and coaches chamber ensembles. He has performed on the School’s Faculty Artist Series and Oneppo Chamber Music Series and at the Yale Summer School of Music/Norfolk Chamber Music Festival. Before Causa joined the faculty of the School of Music in 2009, he taught both viola and chamber music at the International Menuhin Music Academy. He attended the International Menuhin Music Academy, where he studied with Alberto Lysy and Johannes Eskar, and the Manhattan School of Music, where he studied with Michael Tree.
Causa has published many highly regarded CDs on the Claves label. One notable recording is Romantic Transcriptions for Viola and Piano, on which he performshis own transcriptions, which was awarded a prestigious “5 Diapasons” by the French magazine Diapason.
In 2015, he was one of the honored guests at the 43rd International Viola Congress, where he performed his own arrangement of the Schumann Cello Concerto. Causa is an honorary member of British Viola Society and he performs on a viola made for him by Frederic Chaudièrein 2003.
Victoria Chiang, Peabody Conservatory
Full Biography

Victoria Chiang has performed as soloist, recitalist, and chamber musician across North America, Europe, and Asia. Her most recent recording of the viola concertos of Stamitz and Hoffmeister was released by Naxos to critical acclaim. Other recordings include Pleyel Sinfonia Concertante for Violin and Viola also on Naxos as well as a recording of Shostakovich and Roslavets Viola sonatas. She has performed as soloist with the National Philharmonic Orchestra, The National Gallery of Art Orchestra, the Cincinnati Chamber Orchestra, the Romanian State Philharmonics of Constantsa and Tirgu Muresh, the Duluth Superior Symphony Orchestra, the Acadiana Symphony (Lafayette, LA) and the Baltimore Chamber Orchestra. Chiang has collaborated as guest artist with Guarneri, Takacs, Tokyo, American, Arianna and Pro Arte String Quartets, and with members of the Emerson, Cleveland, and Juilliard String Quartets. She has been a regular guest artist at the Amelia Island Chamber Music Festival, a frequent guest on the Bargemusic series, and has given solo performances in Carnegie Hall’s Weill Recital Hall and at the XXV, XXXVIII and XL International Viola Congresses.

Chiang is a founding member of The Aspen String Trio. The group concertizes internationally, and was Ensemble in Residence at the University of Baltimore. Currently a member of the artist/faculty of the Peabody Conservatory and the Aspen Music Festival, Chiang has given master classes throughout the world. Formerly on the faculty of The Juilliard School and the Hartt School of Music, and a former member of the board of the American Viola Society, her students hold significant positions in orchestras, in string quartets, and on conservatory faculties across the US and in Europe. Additionally, Chiang has taught at the Perlman Music Program: Winter Residency in Sarasota, Madeline Island Chamber Music Festival, Heifetz International Music Institute, Domaine Forget, Great Wall Festival (Beijing) among others.

Chiang earned the Master of Music degree and Performer’s Certificate from the Eastman School of Music, and the Bachelor of Music degree from the Cincinnati College‐Conservatory of Music. Her principal teachers include Heidi Castleman and Masao Kawasaki, viola; and Dorothy DeLay and Kurt Sassmannshaus, violin.

Cello

 

Paul Katz, New England Conservatory
Full Biography

Violinist Ani Kavafian enjoys a prolific career as a soloist, recitalist, and chamber musician. She has performed with virtually all of America’s leading orchestras in major venues across the country, has premiered and recorded a number of works written for her, and has been featured on many network and PBS television music specials. Kavafian is a member of the Trio da Salo and the Kavafian-Schub-Shifrin Trio and tours internationally as an artist-member of the Chamber Music Society of Lincoln Center. She also appears frequently in performance with her sister, violinist and violist Ida Kavafian.

At Yale, Kavafian teaches a studio of graduate-level violin students, coaches chamber ensembles, and frequently performs on Yale’s Faculty Artist Series and Yale in New York series. She regularly teaches and performs at several music festivals, including the Norfolk Chamber Music Festival/Yale Summer School of Music, the Heifetz International Institute, Sarasota Music Festival, and the Meadowmount School of Music. 
Born in Istanbul, Turkey, of Armenian heritage, Kavafian began piano lessons at age 3. At age 9, in the United States, she began studying violin with Ara Zerounian and eventually with Mischa Mischakoff. She went on to study violin at the Juilliard School with Ivan Galamian, eventually earning a master of music degree with highest honors. She plays the 1736 Muir McKenzie Stradivarius violin.
Clive Greensmith, Colburn Conservatory
Full Biography

From 1999 until its final season in 2013, Clive Greensmith was a member of the world-renowned Tokyo String Quartet, giving over one hundred performances each year in the most prestigious international venues, including New York’s Carnegie Hall, Sydney Opera House, London’s South Bank, Paris Chatelet, Berlin Philharmonie, Vienna Musikverein, and Suntory Hall in Tokyo. He has collaborated with international artists such as Andras Schiff, Pinchas Zukerman, Leon Fleisher, Lynn Harrell, Dmitry Sitkovetsky, Alicia de Larrocha, and Emanuel Ax.

Mr. Greensmith has given guest performances at prominent festivals worldwide. In North America he has performed at the Aspen Music Festival, Marlboro Music Festival, [email protected], La Jolla SummerFest, Santa Fe Chamber Music Festival, Cleveland Chamber Fest, and the Ravinia Festival. He is a regular guest of the Chamber Music Society of Lincoln Center and will undertake a national tour with Paul Huang, Wu Han, and Matthew Lipman in 2020. Internationally he has appeared at the Salzburg Festival in Austria, Edinburgh Festival in Scotland, Pacific Music Festival in Japan and the Hong Kong Arts Festival. As a soloist, Clive Greensmith has performed with the London Symphony Orchestra, Royal Philharmonic Orchestra, Seoul Philharmonic, and the RAI Orchestra of Rome among others. 

During a career spanning over twenty-five years, Mr. Greensmith has built up a catalog of landmark recordings, most notably The Complete Beethoven String Quartets for Harmonia Mundi with the Tokyo String Quartet, Mozart’s ‘Prussian’ Quartets with the Tokyo String Quartet, Brahms Cello Sonatas with Boris Berman for Biddulph Recordings, and Clarinet Trios of Beethoven and Brahms with Jon Nakamatsu and Jon Manasse for Harmonia Mundi. Toccata Classics will release a live recording of his world premiere performance of the Pál Hermann Cello Concerto with Theodore Kuchar and the Lviv International Symphony Orchestra in the spring of 2019.

Mr. Greensmith studied at the Royal Northern College of Music in England with American cellist, Donald McCall, where he was the recipient of the prestigious Julius Isserlis Scholarship. He continued his studies at the Cologne Musikhochschule in Germany with Russian cellist Boris Pergamenschikow.

In 1987, he made his concerto debut with the London Symphony Orchestra and went on to be first prize winner in the Sergio Lorenzi chamber music competition in Trieste, Italy, and first prize winner in the Caltanissetta Duo competition. Most notably, he was a major prizewinner in the first ever “Premio Stradivari” held in Cremona, Italy in 1991. 

Deeply committed to the mentoring and development of young musicians, Clive has enjoyed a long and distinguished teaching career. In addition to his fifteen-year residency with the Tokyo String Quartet at Yale University, Mr. Greensmith has served as a faculty member at the Yehudi Menuhin School and Royal Northern College of Music in England, the San Francisco Conservatory of Music and the Manhattan School of Music. In 2013, following the final concerts of the Tokyo String Quartet, Mr. Greensmith joined the faculty at the Colburn School where he teaches cello and coaches chamber music for the Conservatory of Music and the Music Academy. Students of Mr. Greensmith have gone on to secure major positions in orchestras throughout the world and have won a number of prestigious awards. In July 2019, he will succeed Günther Pichler as director of string chamber music at the Accademia Chigiana International Festival and Summer Academy in Siena. 

Formerly the principal cellist of London’s Royal Philharmonic Orchestra, Mr. Greensmith is a founding member of the Montrose Trio with pianist Jon Kimura Parker, and violinist Martin Beaver.

Natasha Brofsky, The Juilliard School
Full Biography

Natasha Brofsky is cellist of the Naumburg Award-winning Peabody Trio, which has performed on leading chamber music series throughout the U.S., Canada, and the U.K.. The trio has been heard on numerous radio broadcasts, and has recorded on the New World, CRI, and Artek labels. She has performed as a guest artist with numerous ensembles, including the Takacs, Prazak, Cassatt, Norwegian, Jupiter, Ying, and Borromeo quartets. Brofsky has held principal positions in the Norwegian Radio Orchestra and the Norwegian Chamber Orchestra under Iona Brown. She was also a member of the Serapion Ensemble, performing with the group in Germany and Austria, and the string trio Opus 3, which performed throughout Norway for Rikskonsertene, the Norwegian State Concert Agency. She recorded Olav Anton Thommessen’s Concerto for Cello and Winds for Aurora Records and was a regular participant at Open Chamber Music in Prussia Cove, England. She has given master classes at many schools, including San Francisco Conservatory, Peabody Conservatory, and Boston University. She has taught at Barratt-Due’s Institute in Oslo and at the University of Colorado-Boulder and the Heifetz Institute. She has been on the faculty at the Yellow Barn Festival (Vermont) since 2001; New England Conservatory since 2004, and has been on the faculty at Juilliard since 2012 and of the school’s Pre-college faculty since 2016. She holds a BM and Performer’s Certificate from the Eastman School and a MM from Mannes College the New School for Music. Brofsky studied with Marion Feldman, Robert Sylvester, Paul Katz, and Timothy Eddy, and on a Fulbright grant with William Pleeth in London, where she was awarded the Muriel Taylor Cello Prize.

Guest Artists 

Carol Rodland, The Juilliard School (viola)
Full Biography

Carol Rodland enjoys a distinguished international career as a concert and recording artist and teacher. First prizewinner of the Washington International Competition and winner of the Artists International Auditions and the Universal Editions Prize at the Lionel Tertis International Viola Competition, she made her solo debut with the Philadelphia Orchestra as a teenager. Critics describe her playing as “larger than life, sweetly in tune, infinitely variegated” and “delicious” (Fanfare) and her recordings on the Crystal and Neuma Record Labels have been critically acclaimed. A passionate advocate for contemporary music, she has commissioned, premiered and recorded works of Kenji Bunch, Dan Coleman, Adolphus Hailstork, David Liptak, Christopher Theofanidis, and Augusta Read Thomas.

 A dedicated teacher, Ms. Rodland is Professor of Viola and Chamber Music at the Juilliard School. She is also an artist-faculty member at the Perlman Music Program, the Bowdoin International Music Festival, and the Karen Tuttle Coordination Workshop.   Previous positions have included professorships at the Eastman School of Music, where she was also Co-Chair of the String Department, at New England Conservatory, where she was recognized with the “Krasner Award for Excellence in Teaching”, at the Musikhochschule “Hanns Eisler” Berlin, and at Arizona State University.    

In 2009, Ms. Rodland founded “If Music Be the Food…”, a fully volunteer benefit concert series whose mission is to increase awareness and support for the hungry in the local community through the sharing of great music. “If Music Be the Food…” has inspired musicians across the country to implement initiatives based on this concept in their own communities.

Ms. Rodland studied on full scholarship with Karen Tuttle at the Juilliard School and as a Fulbright Scholar with Kim Kashkashian at the Musikhochschule Freiburg.  She had the unique privilege of serving as teaching assistant to both of her mentors.

For further information please visit www.carolrodland.com and www.ifmusicbethefood.com

Eric Kim, Indiana University Jacobs School of Music (cello)
Full Biography

Cellist Eric Kim has a diverse career performing throughout the United States, Europe, South America, and the Middle and Far East as a recitalist, chamber musician, and soloist with orchestra.

He joined the Indiana University Jacobs School of Music as professor of cello at the beginning the 2009-10 academic year.

He served as principal cello of the Cincinnati Symphony from 1989 to 2009 and has also held principal cello positions with the San Diego and Denver symphonies.

Having made his solo debut at age 15 with the Chicago Symphony Orchestra, Kim was a featured soloist with the Juilliard Orchestra on its critically acclaimed tour of the Far East and has appeared as soloist with the symphony orchestras of Cincinnati, Denver, and San Diego.

He has collaborated as soloist with such conductors as Zubin Mehta, Sergiu Comissiona, Lawrence Foster, Alan Gilbert, Paavo Jarvi, Gianandrea Noseda, and Stanislaw Skrowaczewski, and has appeared in recital in New York, Chicago, Los Angeles, and San Francisco.

Active as a chamber musician, he has performed with such artists as Emmanuel Ax, Joshua Bell, Yefim Bronfman, Susan Graham, Lynn Harrell, Stephen Hough, Jaime Laredo, Menahem Pressler, and Gil Shaham, as well as collaborating with members of the Emerson, Guarneri, and Orion string quartets.

At the invitation of violinist Pinchas Zukerman, he performed with Zukerman at the festivals of Athens (Greece), Mostly Mozart (N.Y.), Schleswig-Holstein (Germany), and Verbier (Switzerland).

He has participated in several tours with Zukerman to South America and Israel as a member of the Pinchas Zukerman and Friends chamber ensemble. Highlights include chamber music debuts at Carnegie Hall, Boston’s Symphony Hall, and the Kennedy Center for the Performing Arts, performing both Brahms Sextets with Itzhak Perlman, Pinchas Zukerman, and Michael Tree, among others.

Kim can regularly be heard at the festivals of Angel Fire (New Mexico), Aspen, La Jolla, Orcas Island (Wash.), Sangat (India), Santa Fe, and Savannah. He has made several recordings for the RCA, EMI, Telarc, and Koch labels.

As a teacher, he has students in major orchestras throughout the world. He is a regular teacher and performer at the Aspen Music Festival and School as well as the Music Masters Course Japan program held in Yokohama and Tokyo.

Born of Korean parents in New York City, Kim grew up in Illinois, where he began piano studies with his mother at age five. At age 10, he began cello studies with Tanya L. Carey.

He received his Bachelor and Master of Music degrees from the Juilliard School, where he studied with Leonard Rose, Lynn Harrell, and Channing Robbins. Upon graduation, Kim received the first William Schuman Prize, awarded for outstanding leadership and achievement in music.

Jeffrey Irvine, Cleveland Institute of Music (viola)
Full Biography

Jeffrey Irvine is Fynette H. Kulas Professor of Viola and Co-head of the Viola Department at the Cleveland Institute of Music. He was previously Professor of Viola at the Oberlin Conservatory of Music from 1983 to 1999 and was also chair of Oberlin’s string division from 1992 to 1999.

His students have gone on to major orchestral, teaching and chamber music posts across the country and around the world (for further information, please go to jeffreyirvine.com). His students have often been first-prize winners in major viola competitions, including the Primrose Competition, the ASTA National Solo Competition and the Washington International Competition.

Irvine is also active as a teacher and performer at summer festivals. In 2018 he returned to the Aspen Music Festival where he had previously taught from 1981 to 1991 and from 2000 to 2011. He is also on the Artist Faculty of the Interlochen Viola Workshop and taught at the Bowdoin International Music Festival from 2015 through 2018. From 2012 to 2014 he was on the Artist Faculty of the Perlman Music Program. He was on the faculty of the ENCORE School for Strings from 1999 until 2007. He has also taught at the Heifetz International Music Festival, the Castleman Quartet Program, the Meadowmount School of Music, the Killington Music Festival, the Park City Chamber Music Festival, and Idyllwild School of Music and the Arts.

His teachers have included Heidi Castleman, Charles Castleman, David Cerone, Dorothy DeLay, Martha Katz, William Primrose, Margaret Randall, Karen Tuttle and Donald Weilerstein.

He is married to violist Lynne Ramsey with whom he has two children, Hannah and Christopher. He plays a viola by Hiroshi Iizuka, made in 1993. He is also an avid runner.

Alan Stepansky, Peabody Conservatory (cello)
Full Biography

Alan Stepansky is recognized as one of the most gifted and versatile cellists of his generation.  After a distinguished orchestral career playing with the Boston Symphony Orchestra, serving as Principal Cellist of the Boston Pops, and culminating in a ten-year tenure as Associate Principal Cellist of the New York Philharmonic, he is in demand as a soloist, chamber musician, principal cellist, and recording artist.  He is currently Professor of Cello and Chair of the Strings Department at the Peabody Institute of Johns Hopkins University and on the faculty of the Manhattan School of Music.  A guest at many summer festivals, he is cello faculty artist of the Music Academy of the West in Santa Barbara, California. 

He has performed as a guest artist of the Chamber Music Society of Lincoln Center, the Mostly Mozart Festival, and Jazz at Lincoln Center, and has appeared in concert with a diverse array of artists including the Takacs and American String Quartets.  He recently formed a piano trio with violinist Judith Ingolfsson and pianist Vladimir Stoupel – Trio SINGS – which has concertized internationally.  He has recorded a series of chamber music and solo discs for EMI, which were honored by Gramophone Magazine, BBC Magazine, the New York Times, and the British Music Industry Association, and has been engaged as the solo cellist for well over 50 major motion picture and television soundtracks.  He has also appeared on the albums of many noted recording artists across many genres, including Bruce Springsteen, Natalie Merchant, David Byrne, Audra McDonald, Joss Stone, Lou Reed, David Bowie, and Sting, with whom he has also appeared in concert. He was recently featured as principal and solo cellist in the Bruce Springsteen concert film Western Stars.

Recently, he served as the Principal Cellist for five major fund-raising events held in Carnegie Hall, Beethoven’s Ninth for South Asia, Requiem for Darfur, Mahler for the Children of AIDS, Beethoven for the Indus Valley, and Shostakovich for the Children of Syria, which featured an international orchestra drawn from leading symphonic, chamber music, and solo artists from around the world.  He has appeared as soloist with many orchestras including the New York Philharmonic and the Boston Pops, and appeared frequently as Guest Principal Cellist of the St. Paul Chamber Orchestra.  After studies at the Curtis Institute of Music and the University of Pennsylvania, he graduated with a degree from Harvard University with the Horblit Prize, conferred for his outstanding musical accomplishments. Alan Stepansky’s students have won solo and section positions in numerous orchestras around the world, including the Philadelphia Orchestra, Seattle Symphony, St. Louis Symphony, Houston Symphony, Montreal Symphony, Orchestre Symphonique de Quebec, Indianapolis Symphony, Colorado Symphony, New Jersey Symphony, Shanghai Symphony, Beijing Symphony, Oregon Symphony, Orquestra de la Comunitat Valencia, and the Los Angeles Philharmonic among others, and have successful careers as soloists, chamber musicians, and teachers.

Ayano Ninomiya, New England Conservatory (violin)
Full Biography

Winner of numerous prizes including the Walter Naumburg International Competition,  Tibor Varga International Competition, Astral Artists National Auditions, Young Performers Career Advancement, and Lili Boulanger awards, Ayano has performed with orchestras across the U.S., Switzerland, Bulgaria, and most recently in Carnegie Hall.  Praised for her “deeply communicative and engrossing” (The New York Times) performances, she has performed at the Marlboro, Ravinia, Moab, Bowdoin, Kingston, Adams (New Zealand), Canberra International (Australia), and Prussia Cove (England) festivals.  She has been featured on Musicians from Marlboro tours in the U.S. and France, and gave a TEDx talk in 2012 at the University of Tokyo.  She was first violinist of the Ying Quartet and was Associate Professor at the Eastman School of Music until 2015 when she joined the violin faculty of the New England Conservatory of Music.  As a recipient of the Beebe Fellowship, Ayano studied in Budapest, Hungary, at the Liszt Academy after graduating from Harvard University and The Juilliard School.  In her spare time, she loves to paint and practice Aikido.

To Be Announced
Full Biography

Cellist Eric Kim has a diverse career performing throughout the United States, Europe, South America, and the Middle and Far East as a recitalist, chamber musician, and soloist with orchestra.

He joined the Indiana University Jacobs School of Music as professor of cello at the beginning the 2009-10 academic year.

He served as principal cello of the Cincinnati Symphony from 1989 to 2009 and has also held principal cello positions with the San Diego and Denver symphonies.

Having made his solo debut at age 15 with the Chicago Symphony Orchestra, Kim was a featured soloist with the Juilliard Orchestra on its critically acclaimed tour of the Far East and has appeared as soloist with the symphony orchestras of Cincinnati, Denver, and San Diego.

He has collaborated as soloist with such conductors as Zubin Mehta, Sergiu Comissiona, Lawrence Foster, Alan Gilbert, Paavo Jarvi, Gianandrea Noseda, and Stanislaw Skrowaczewski, and has appeared in recital in New York, Chicago, Los Angeles, and San Francisco.

Active as a chamber musician, he has performed with such artists as Emmanuel Ax, Joshua Bell, Yefim Bronfman, Susan Graham, Lynn Harrell, Stephen Hough, Jaime Laredo, Menahem Pressler, and Gil Shaham, as well as collaborating with members of the Emerson, Guarneri, and Orion string quartets.

At the invitation of violinist Pinchas Zukerman, he performed with Zukerman at the festivals of Athens (Greece), Mostly Mozart (N.Y.), Schleswig-Holstein (Germany), and Verbier (Switzerland).

He has participated in several tours with Zukerman to South America and Israel as a member of the Pinchas Zukerman and Friends chamber ensemble. Highlights include chamber music debuts at Carnegie Hall, Boston’s Symphony Hall, and the Kennedy Center for the Performing Arts, performing both Brahms Sextets with Itzhak Perlman, Pinchas Zukerman, and Michael Tree, among others.

Kim can regularly be heard at the festivals of Angel Fire (New Mexico), Aspen, La Jolla, Orcas Island (Wash.), Sangat (India), Santa Fe, and Savannah. He has made several recordings for the RCA, EMI, Telarc, and Koch labels.

As a teacher, he has students in major orchestras throughout the world. He is a regular teacher and performer at the Aspen Music Festival and School as well as the Music Masters Course Japan program held in Yokohama and Tokyo.

Born of Korean parents in New York City, Kim grew up in Illinois, where he began piano studies with his mother at age five. At age 10, he began cello studies with Tanya L. Carey.

He received his Bachelor and Master of Music degrees from the Juilliard School, where he studied with Leonard Rose, Lynn Harrell, and Channing Robbins. Upon graduation, Kim received the first William Schuman Prize, awarded for outstanding leadership and achievement in music.

Seminar Speakers

Renee-Paule Gauthier on Practice Planning One Month Out
Full Biography

Renée-Paule Gauthier is a passionate performer and teacher whose career has taken her across the United States and Canada as a soloist, recitalist, chamber musician, orchestral leader, and clinician. Dr. Gauthier joins the Chicago Lyric Opera Orchestra for the 18-19 season, and she performs with some of Chicago’s finest ensembles, including the Chicago Symphony Orchestra, Joffrey Ballet, Elgin Symphony, and Chicago Philharmonic. She is the String Area Coordinator, Co-director of the Chamber Music Program, and Violin Instructor at North Park University.

An accomplished concert artist, Renée-Paule Gauthier was mentioned as one of the “best upcoming violinist of the new generation” in the book Violin Virtuosos, from Paganini to the 21st Century. Dr. Gauthier has won awards in several competitions, including the exclusive three-year loan of the Taft Stradivari violin through the 2009 edition of the Canada Council for the Arts’ Musical Instrument Bank Competition. She made her Kennedy Center solo debut in April 2014. She was Concertmaster of the New World Symphony, in the first violin section of the National Arts Centre Orchestra in Canada, Assistant Concertmaster of the Calgary Philharmonic, and is the Founding Artistic Director of the Rendez-vous Musical de Laterrière, a chamber music festival in the province of Québec.
Dr. Gauthier is a graduate of the University of Montreal, the Eastman School of Music, and Northwestern University. She blogs about creating a meaningful practice at her website, Mind Over Finger, and hosts the Mind Over Finger podcast. The podcast offers discussions on mindful music-making, efficient practice, and building a purposeful career with the performers, pedagogues, and innovators who are shaping the classical music world today. She travels throughout the United States and Canada giving masterclasses and clinics on the topics of mindful practice, audition preparation, and anxiety management.
Dr. Don Greene on Performance Anxiety and Peak Performance
Full Biography

Dr. Don Greene, a peak performance psychologist, has taught his comprehensive approach to peak performance mastery at The Juilliard School, Colburn School, New World Symphony, Los Angeles Opera Young Artists Program, Vail Ski School, Perlman Music Program, and US Olympic Training Center. During his thirty-two year career, he has coached more than 1,000 performers to win professional auditions and has guided countless solo performers to successful careers. Some of the performing artists with whom Dr. Greene has worked have won jobs with the Metropolitan Opera Orchestra, New York Philharmonic, Chicago Symphony, San Francisco Opera, Montreal Symphony, Pittsburgh Symphony, National Symphony, Cincinnati Symphony, Pacific Northwest Ballet, and the Dance Theatre of Harlem, to name just a few. Of the Olympic track and field athletes he worked with up until and through the 2016 Games in Rio, 14 won medals, including 5 gold. Dr. Greene has authored eight books including Audition Success, Fight Your Fear & Win, and Performance Success. In 2017, Dr. Greene was named a TED Educator and collaborated with musician Dr. Annie Bosler to produce the TED-Ed  How to practice effectively…for just about anything. The video went viral receiving over 31 million views across Facebook and YouTube.

To Be Announced
Full Biography

Week Schedule

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Monday, January 4

Orientation
Technology/microphone checks
Faculty panel on “What Teachers Look For”
Cello & Violin Masterclass

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Tuesday, January 5

Mock Audition Day
Violinists: 4 teacher panel
Violists/Cellists: 3 teacher panel each
Morning session on Recording Tips
Viola Masterclass

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Wednesday, January 6

Morning session on Performance Anxiety with Dr. Don Greene
First Lesson
Practice Zooms & Help
Cello Masterclass

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Thursday, January 7

Faculty Panel on “Preparing for Your Audition”
Peer mock auditions with faculty oversight
Watch and give constructive criticism to other participants and be able to play for up to 48 fellow peers
Peer Roundtable Discussion on Preparing for Auditions
Violin Masterclass

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Friday, January 8

Morning session on Standing Out in Your Application with admissions counselor
Second Lesson
Practice Zooms & Help
Viola Masterclass

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Saturday, January 9

Morning session on Approaching Your Repertoire with One Month Left with Dr. Renee-Paule Gauthier
Mock Auditions
4 teacher panel for violinists
3 teacher panel for violists and cellists
Cello Masterclass

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Sunday, January 10

Wrap-Up Debrief/Goodbye Party
Q&A with guests

Frequently Asked Questions

How long is the program?

OSSI will be 6.5 days long; the program begins on Monday, January 4, and will conclude with a debrief/goodbye party on Sunday, January 10. You will receive 2 full hour-long lessons with your assigned faculty member, 3 mock auditions, 7 masterclasses to either watch or participate in, and 6 seminars.
You should expect to be practicing intensively during the program, although there are no formal practice sessions. Expect to commit at least 2.5 hours per day to the program, in addition to your practice time.

What is the tuition cost?

Total tuition is $825 and includes any masterclass(es) you may be selected to play in.

Is there scholarship available?

At the moment, there is extremely limited scholarship available. We are working on grants and donors and if scholarship becomes available, you will be notified with or after your acceptance.

You may indicate on your application your need; a written letter is the most important part of a scholarship appeal.

What are the age/level requirements?

You should be a high school senior, college senior, or intending on applying for a degree in music with Fall 2021 start date. There are no formal age limits or requirements.

Do I have to be in the US to participate?

Absolutely not! We would love for international students to participate. You will have to be available for lessons, auditions, and sessions, but we will do our best to schedule around your time zone. All sessions will take place in the morning for anyone in Asia, and will also be recorded for future viewing.

What time zone are the events in?

All events will be stated in EST (New York time) and will occur from 10am-around 7 or 8pm. Sessions will happen in the morning and auditions/lessons will happen all day.

How are faculty assigned?

You will indicate your top 3 choices on your application and will find out which studio you have been accepted into with your acceptance email.

What are the application requirements?

You will need to submit two videos of up to 15 minutes total. 

Recordings should not be more than one year old and should contain standard repertoire, such as a movement of Bach and a movement of a concerto. No formal repertoire is required.

We suggest sending your prescreening materials in, as faculty will be reviewing your application.

Is there an application fee?

Yes. You may submit an application to OSSI only, or IPSI and OSSI before November 10 for $40.

The application period to OSSI will continue until December 1 for the same price of $40.

Will you have a wait list?

Yes, we will hold a small wait list, in the chance someone withdraws or chooses not to accept their spot. Accepted applicants will have one week to accept or decline their spot and wait listed applicants will likely have a final decision at the end of that week period.

When are decisions released?

Applications for OSSI close December 1, and you will hear back by December 10.

Can I take lessons with other faculty members?

You may not take any lessons with other faculty members through official OSSI programming. However, you may contact faculty members and request a lesson time. Decisions on fees and available hours are up to their discretion.

How many spots are there in the program?

Each teacher will have a maximum of 8 students in their studio. There will be a total of 48 violin spots, 24 viola spots, and 24 cello spots.

What technology do I need to participate?

You will need a laptop/computer with a webcam, high speed internet, ethernet cable, quality speakers/headphones (either built-in to your computer or external), and a quality microphone. Everything is required, unless your internet speed reaches over 75 mbps download and 10mbps upload, in which case, your WiFi speed will suffice (not ethernet cable required).
If you are in need of a microphone and would like to rent one through OSSI, please contact Alyssa after your acceptance.

Start your application Today. space is limited.

Applications open October 10 and close December 1. Decisions released December 10.

 

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